Please click through EACH IMAGE to find LINKED interviewS, DOCS, reviewS AND articleS
Video interview with cinematographer Sam Levy of Lady Bird and Frances Ha on the surrealist horror war film Mayday, out via Magnolia Pictures, for the Artist Decoded podcast
My newest interview published in Sound&Picture with cinematographer Victor Hammer, DIT John Mills, and VFX post-house DigitalFilm Tree, on creating 13 years of mayhem for the CBS television show NCIS: Los Angeles
My latest gear review for Sound&Picture magazine on an imaginative new LED lighting system from Anthem One
"Tony Hawk: Until the Wheels Fall Off" debuts tonight on HBO Max. I interviewed director Sam Jones for the February 2017 issue of HD Video Pro Magazine on capturing with the RED Digital Cinema EPIC Dragon camera in black-and-white on a monochromatic sensor for heightened image resolution, click through the image to the link!
My interview with cinematographer François Dagenais on the remarkable Matthew Carnahan series Valley of the Boom for National Geographic has been published to the latest issue of Sound&Picture magazine! Free for download at the link!
The March issue of British Cinematographer magazine features my talk with cinematographer and gaffer Michael Bauman on the Oscar-nominated film Licorice Pizza, his second as Director of Photography for director Paul Thomas Anderson, but his fourth film with the auteur
New profile page on Mubi, "Envisage", shot entirely on Canon DSLRs to capture a subjective point of view, had to walk behind the actors while holding the camera in front of their faces
An interview with Steven Holleran on the Netflix show Fire Chasers, shot with the RED DRAGON and Panavision and Angenieux lenses
Now in its seventh season, a q&a with comedian W. Kamau Bell on the 2016 Sundance Film Festival debut of CNN's United Shades of America
Modern NFT and multimedia artists examine the future of XR, AR and VR — Exploring Spatial Reality at Ayzenburg gallery, Pasadena, for American Cinematographer magazine
Speaking with Erik Messerschmidt, ASC, on David Fincher's Netflix series, Mindhunter, shot on a one-of-a-kind RED Xenomorph camera
A talk with Dan Laustsen, ASC on the cinematography and lighting design behind the Oscar-winning production "Shape of Water" from director Guillermo Del Toro
An interview with cinematographer Greig Fraser ASC, ACS on the cameras, lighting & production of Gareth Edwards' "Star Wars: Rogue One" & director Garth Davis' film, "Lion"
Director J. Davis and cinematographer Sean McElwee discussing the technology and techniques behind their film "Manson Family Vacation", produced by Jay and Mark Duplass and licensed by Netflix after its debut at Sundance 2015
Alex Winter & EJ Enriquez discuss their Field of Vision documentary on Barret Brown, 'Relatively Free', for HD Video Pro magazine
My first podcast interview with legendary Los Angeles punk rock photographer Edward Colver for my friends at Artist Decoded
An important talk with photography and multimedia artist Tim Matsui on his ongoing documentary coverage of underage sex workers in the Pacific Northwest, "The Long Night'"
Cinematographer Steve Gainer, ASC, on the search for his own 'Rosebud', the Mitchell BNC camera used by Gregg Toland, ASC, on Citizen Kane, for the November 2017 issue of American Cinematographer. The camera now resides in the camera museum at the ASC Clubhouse in Hollywood
Fine art photographer Reuben Wu, also 1/4 member of the band Ladytron, talks about the methodology and technology behind his singularly unique, otherworldly landscapes
Australian Cinematographer — Paul Cameron ASC
POST — Editor and Colorist Eric Weidt on David Fincher's Netflix Series, Mindhunter
DPReview — Dr Paul Koudounaris on his books Memento Mori and Heavenly Bodies
DPReview — the cameras and VFX behind Mad Max: Fury Road